My artistic practice unfolds at the intersection of memory, materiality and personal narrative.
Through embroidery, textile sculpture, drawing, printmaking and artist’s books, I explore the invisible threads that connect body, landscape and inner experience.
I am interested in the traces left by time: scars, memories, botanical impressions, fragments of stories and gestures that survive beyond their original moment.
Textile materials occupy a central role in my research. The act of stitching becomes both a meditative process and a visual language through which I investigate identity, belonging and transformation.
Every thread carries a temporal dimension; every knot records an encounter between hand, thought and emotion.
Nature is another recurring presence in my work. Plants, seeds, roots and organic forms become metaphors for growth, resilience and interconnectedness.
Through direct contact with natural elements, I create works that preserve fragile impressions of living matter, transforming ephemeral encounters into enduring forms.
Influenced by my background in visual arts, scenography and art therapy, I conceive artistic practice as a space where aesthetic inquiry and human experience meet. My works invite viewers to slow down, observe closely and reconnect with the subtle dimensions of perception, memory and care.