Fruits of Air is a body of suspended textile sculptures inspired by seeds, fruits and botanical structures designed to travel through the wind. These ephemeral architectures reveal nature’s extraordinary capacity to unite lightness with resilience, fragility with survival.
Constructed through embroidery, weaving, stitching and layered fibres, the sculptures hover between botanical observation and poetic imagination. They do not reproduce specific species but evoke the universal intelligence embedded within natural forms—structures shaped by evolution to disperse, adapt and begin again.
Suspended in space, each work establishes a dialogue with gravity, movement and air. Shadows become extensions of the sculptures themselves, while the surrounding space becomes an active component of the work, transforming with the viewer’s movement and changing light.
The series reflects on migration, dispersal and belonging. Like seeds carried by invisible currents, memories, identities and human stories also travel, settle and take root in unexpected landscapes.
Through delicate materials and meticulous handwork, Fruits of Air proposes an understanding of sculpture as a living ecosystem—where matter, atmosphere and time coexist in continuous transformation.

Fruits of Air is an installation woven from aluminium mesh, shaped into the form of a monumental pomegranate. Within its open structure, smaller transparent pomegranates emerge like suspended seeds, each one echoing the whole while preserving its own fragile presence.
The pomegranate, an ancient symbol of fertility, memory, abundance, and hidden life, is transformed into a vessel of light and emptiness. The metallic mesh dissolves the boundary between matter and air, allowing space itself to become part of the work. Transparency becomes both presence and absence, inviting the viewer to look beyond the visible surface and into the invisible relationships that connect all living forms.
The work reflects on growth as a process of multiplication rather than accumulation. Each fruit contains the possibility of countless others, suggesting that every beginning already carries within it the memory of what is yet to come. Fruits of Air inhabits the threshold between solidity and fragility, permanence and transience, where nature and human intervention coexist in a delicate balance.
Rather than representing the pomegranate, the installation reveals its inner essence: a constellation of possibilities suspended in space, where emptiness becomes fertile and light becomes substance.







