One, No One and One Hundred Thousand
Inspired by the endless multiplicity of identity, these textile works unfold as constellations of self-portraits.
Hand embroidery, quilting, patchwork, and layered textiles construct fragmented faces that coexist rather than merge. Every figure is familiar yet different, suggesting that the self is never singular but continuously reshaped through memory, experience, and encounter.
The patchwork structure reflects the way identity is assembled: through fragments, absences, repairs, and unexpected connections. Each stitch joins separate elements without erasing their differences, allowing contradictions to remain visible.
Rather than presenting a single portrait, these tapestries become maps of plurality—spaces where one identity expands into many, and where every face contains the possibility of another.