Plants are approached as collaborators rather than subjects. Through monotype, cyanotype and direct impressions, botanical forms become witnesses of place, season and ecological belonging.
”Botanical impressions” , monotype prints on paper
“Herbarium”, Textile artist book, monotype and cyanotype impressions on fabric
Herbarium is an ongoing research on plants as living archives.
Botanical forms are collected not to classify nature, but to reveal its continuous transformation. Prints on handmade paper, textile, and clay preserve the delicate encounter between organic matter and human gesture.
These artist’s books do not document plants; they accompany them. Leaves, fibres, pigments, and impressions become fragments of a shared ecology where memory is rooted in material.
Each page is both specimen and landscape, inviting a slower way of looking—one that recognises the quiet intelligence of growing, decaying, and returning.
Terra Impressions, botanical imprints on clay, ceramic artist book
Herbarium, Artist book, botanical impressions on hand made paper
The book as a living object…
An artist’s book is not simply a container of images or words.
It is a sculptural form, a sequence of gestures, a landscape unfolding through touch. Turning a page becomes an intimate movement through memory, material, and time.
Each book is conceived as a unique encounter between reading and making, where paper, textile, clay, print, and botanical traces become equally capable of telling a story.
Concrete Impressions, botanical Impressions on concrete support, site specific installation