The tapestry becomes a field of reflection where threads replace lines and weaving becomes a form of drawing through time.
Layers of textile, embroidery, knots, and fragments create visual narratives that resist linear reading. They accumulate like memories—unfinished, overlapping, continuously rewritten. Every fiber carries its own history, while every composition searches for new relationships between material, space, and silence.
Working with textile means embracing slowness. It is a process of listening rather than controlling, allowing the work to reveal itself gradually through repetition, rhythm, and interruption.
These tapestries exist between image and object, between architecture and skin. They explore the fragile boundaries between what is visible and what remains hidden, transforming cloth into a landscape of memory, presence, and possibility.
