Nimbus · Pulse · Solaris
The Inner Constellation is a woven cosmology, a fiber sculpture triptych composed of three monumental soft sculptures.
There are landscapes that cannot be entered with the body alone.
They unfold beneath language, beneath memory, beneath the visible architecture of the self. They are territories where thought drifts like weather, where emotion circulates like blood, where light becomes consciousness. The Inner Constellation inhabits this interior cosmos through three monumental textile sculptures, each giving form to one of the invisible forces that shape human existence.
Woven as tapestries and released into space through sculptural form, the works exist in a state of quiet transformation. They no longer belong entirely to the wall, nor fully to the object. Suspended between image and body, they occupy a threshold where textile becomes architecture and softness acquires presence.
Hidden beneath the woven surfaces, a hand-modelled structure of aluminium mesh supports each form. More than a technical framework, it recalls the unseen networks that sustain life itself: the branching of neurons, the delicacy of the skeletal system, the intricate geometry of roots, veins and constellations. Strength remains invisible, allowing vulnerability to become visible.
Nimbus unfolds in deep blue. It imagines the mind not as an organ enclosed within the skull, but as an atmosphere in perpetual motion. Thoughts gather and disperse like clouds, carrying memory, imagination and silence across an ever-changing inner sky. Its porous form appears simultaneously weightless and grounded, suggesting that consciousness is less a place than a continuous process of becoming.
At the centre of the constellation rests Pulse, an enlarged anatomical heart woven in countless shades of red. Freed from medical precision and symbolic convention, it becomes a vessel of human experience. Every thread echoes a rhythm older than language—the quiet persistence of breath, affection, grief, resilience and love. The heart is revealed not simply as the seat of emotion, but as the living archive of everything that has passed through us.
Radiating outward is Solaris, a woven sun whose yellow fibres expand into space like light itself. It embodies neither religion nor mythology, but the subtle force that animates awareness, creativity and transformation. Spirit appears here as an energy that does not transcend matter but emerges from within it, illuminating the invisible connections between all living forms.
Blue, red and yellow—the three primary colours—form the chromatic foundation of the trilogy. From these elemental hues every other colour may be born, just as the infinite complexity of human existence unfolds through the ceaseless dialogue between mind, heart and spirit. They are not symbols to be decoded, but living frequencies that resonate across the work.
The softness of the textile is essential. It resists the authority traditionally associated with sculpture, replacing permanence with flexibility, monumentality with tenderness. These forms do not conquer space; they breathe within it. Light settles into their fibres, shadows move across their surfaces, and the works continue to transform through the presence of those who encounter them.
Rather than offering representations of invisible realities, The Inner Constellation proposes a contemplative space in which the self may be imagined as an ecology rather than an identity—a fragile constellation held together by countless relationships, where every thread depends upon another and every form remains open to change.
Like stars connected only by the imagination that observes them, Nimbus, Pulse and Solaris exist as three independent bodies whose meaning emerges in relation. Together they compose not a portrait of the human being, but a map of becoming.
Nimbus
Pulse
Solaris
